keywords : Events, Resources

THURSDAY, OCTOBER 30, 2008  (day 1)

Introduction by Alain Depocas, director of the DOCAM Research Alliance and of the Centre for Research and Documentation (CR+D), la fondation Daniel Langlois pour l’art, la science et la technologie

Case Studies: Works by Nam June Paik and John F. Simon, Jr.
Mona Jimenez, Sarah Resnick and Yvonne Ng, New York University

L’affirmation des stratégies de préservation d’une œuvre d’art médiatique par l’entremise de l’entrevue d’artiste
Richard Gagnier, Montréal Museum of Fine Arts (MMFA), chair of the DOCAM Conservation & Preservation Committee, Montréal
Émilie Boudrias, DOCAM Conservation & Preservation Committee, Montréal

Question period, day 1, group 1

Cataloguing and Preserving Greg Lynn’s Embryological House at the CCA
Howard Schubert, Ivanka Iordanova and Alexis Lenk, Canadian Centre for Architecture (CCA), Montréal

Cataloguing Structure Case Study: Max Dean and Raffaello d’Andrea, The Table: Childhood
Geneviève Saulnier, National Gallery of Canada (NGC), DOCAM Cataloguing Structure Committee, Ottawa
Marie-Ève Courchesne, DOCAM Cataloguing Structure Committee, Montréal

Question period, day 1, group 2

[Special presentation] Launch of issue 13 of .dpi, Studio XX’s electronic periodical: “Documenter l’oubli, art et archives aujourd’hui”
Chantal Dumas, editor-in-chief, .dpi, Studio XX, Montréal
Émilie Houssa, guest editor, .dpi, Studio XX, Montréal

On the Couch : Capturing Audience Experience
Rolf Wolfenseberger, Museum of Communication, Berne

Research on Revolution: A Preservation Case Study in the Scope of Inside Installations
Gaby Wijers, Netherlands Media Art Institute (NIMk), Amsterdam

Question period, day 1, group 3

Between Real and Ideal: A Documentation Case Study for David Rokeby’s Giver of Names
Caitlin Jones, New York

Shifting Polarities: Proposing a Canon of Canadian Electronic Media Art, 1970-1990
Caroline Langill, The Ontario College of Art & Design (OCAD), Toronto

The Digital Workfile
Andrea Kuchembuck, DOCAM Documentation Committee, Montréal

Question period, day 1, group 4

FRIDAY, OCTOBER 31, 2008 (day 2)

Introduction to CASPAR (Cultural, Artistic and Scientific knowledge for Preservation, Access and Retrieval)
Guillaume Boutard, Institut de Recherche et de Coordination Acoustique / Musique (IRCAM), Paris

Distance Liquide, A Case Study of a Fully Archived Acousmatic Work

Johann Holland, Université technologique de Compiègne (UTC), National Centre for Scientific Research (CNRS), France

Long-Term Preservation for Artistic Communities: How to Interact with a Technical Framework
Bruno Bachimont, Erik Gebers and Johann Holland, Université technologique de Compiègne (UTC), National Centre for Scientific Research (CNRS), France

Question period, day 2, group 1

Fitting Artistic Testbed Data in the CASPAR Model
Michal Maša, International Centre for Art and New Technologies (CIANT), Prague

From Mustica to MustiCASPAR
Guillaume Boutard, Institut de Recherche et de Coordination Acoustique / Musique (IRCAM), Paris

Developping Vocabulary Tools for New Media Art Documentation
Corina Macdonald, DOCAM Terminology Committee, Montréal

Le Répertoire des arts et littératures hypermédiatiques du NT2
Alice van der Klei, Amélie Paquet, Paule Mackrous and Frédérique Dubé, Université du Québec à Montréal (UQAM)

Question period, day 2, group 3

Keynote Address : Antoni Muntadas
Antoni Muntadas, Barcelona, New York
Respondent : Richard Gagnier, Montréal Museum of Fine Arts (MMFA), chair of the DOCAM Conservation & Preservation Committee, Montréal

Question period, Antoni Muntadas