keywords : DOCAM Project

The “Outreach” section includes information on publications and conferences attended by DOCAM Alliance researchers and collaborators as their research findings become available.

2008:

Le lien multimédia vol. 14 no 46, 10 novembre 2008, www.lienmultimedia.com

• Article published by Sophie Bernard : “Préserver l’art et la vidéo: l’incessant processus de migration”. Includes interview excerpts with Ariane Noël de Tilly, Alice Moscoso and Melitte Buchman.

Le lien multimédia vol. 14 no 45, 3 novembre 2008, www.lienmultimedia.com

• Article published by Sophie Bernard : “DOCAM 2008: La préservation d’oeuvres à l’ère numérique dans tous ses états”. Includes interview excerpts with Somaya Langley, Laura Barreca and Andrew McHugh.

Les collections des bibliothèques, archives et musées : Recherche et conservation. Nicolaus Copernicus Torun University, Poland, October 2-4, 2008.

• Barbara Klempan (steering committee and conservation & preservation committee) “Enseigner la conservation de l’art dans un monde de technologies émergentes”

Museums and the web 2008, Montréal

• Richard Gagnier (MBAM), Madeleine Lafaille (Canadian Heritage Information Network), Elaine Tolmatch (MBAM), Anne-Marie Zeppetelli (MACM) “New Media Art in Museum Collections: a Report from the DOCAM Cataloguing and Conservation Committees”

2007:

404 Object Not Found. Total Museum of Contemporary Art, Seoul, South Korea, October 24, 2007.

• Sylvie Lacerte (DOCAM Coordinator) “The DOCAM Project: Issues and challenges.”

Nam June Paik Museum Symposium. Nam June Paik Museum, Suwon City, South Korea, October 23, 2007.

• Sylvie Lacerte (DOCAM Coordinator) “The DOCAM Project: A Nam June Paik Work as Case Study.”

Art contemporain, arts médiatiques et architecture moderne. Les enjeux de la conservation des œuvres fragiles, éphémères et virtuelles. Comment penser leur authenticité matérielle et conceptuelle. Journée d’études organisée par la Faculté des arts de l’UQAM en collaboration avec l’Institut du patrimoine, 23 November 2007.

• Sylvie Lacerte (DOCAM Coordinator) « La pérennité des arts médiatiques : enjeux théoriques et éthiques, défis et embûches » (texte de la conférence en PDF)
• Richard Gagnier (conservateur des œuvres d’art contemporain au MBAC) « L’authenticité fluctuante des équipements technologiques et des dispositifs des œuvres installatives à composantes médiatiques »

re:place 2007:The Second International Conference on the Histories of Media, Art, Science and Technology, Haus der Kulturen der Welt, Berlin, Allemagne, 15-18 November 2007.

• Ariane Noël de Tilly (research assistant – Conservation and Preservation Committee) “The different ‘versions’ of John Massey’s As the Hammer Strikes (A Partial Illustration)”

Art, Conservation, and Authenticities: Material, Concept, Context, University of Glasgow, Scotland, 12-14 September 2007.

• Ariane Noël de Tilly (research assistant – Conservation and Preservation Committee) “Re-exhibiting the moving image. Douglas Gordon’s Play Dead: Real Time and John Massey’s As the Hammer Strikes (A Partial Illustration)”
• Richard Gagnier (conservator of contemporary art at the National Gallery of Canada) “Establishing the integrity of Installation Art as its authentic character“

The Association of North American Graduate Programs in the Conservation of Cultural Property (ANAGPIC), Harvard University (Cambridge, Massachusetts).

• Marie-Catherine Cyr (research assistant, Documentation Committee) “Conservation Issues: The Case of Time-Based Media Installations.”

Connected Archives «DEAF07 Dutch Electronic Art Festival : Interact or Die!», Rotterdam, Netherlands, April 12 2007.

• Alain Depocas was one of the invited speakers at the Seminar. Access more information (including a video of the event).

Archiving the Avant-Garde: Documenting and Preserving Digital/Variable Media Art, UC Berkeley Art Museum and Pacific Film Archive, Berkeley, États-Unis, January 18 2007.

• Alain Depocas participated in the workshop. Access the conference papers.

Context and Meaning VI: Papers in Art History and Conservation, Graduate Visual Culture Association, Agnes Etherington Art Centre, Queen’s University, January 26-27, 2007.

• DOCAM Research Assistant Marie-Catherine Cyr, a Queen’s University Master’s student in Art Conservation, presented “Conservation Issues: The Case of Time-Based Media Installations”. Access the program.

2006:

Canada-US Dialogue on Digital Cultural Heritage: Digital Readiness and Cultural Heritage Institutions, Institute of Museum and Library Services (IMLS) and Canadian Heritage Information Network (CHIN), New York Public Library, New York, May 4-5 2006.

• Jean Gagnon, Executive Director of the Fondation Daniel Langlois, “Conservation of Technologically-Based Artworks : Initiatives of the Daniel Langlois Foundation.”

Inside Installations: Preservation and Presentation of Installation Art – Seminar: Theory and Semantics of Installation Art, INCCA – International Network for the Conservation of Contemporary Art, Bonnefanten Museum, Maastricht, The Netherlands, May 11 2006.

• Sylvie Lacerte, DOCAM Coordinator, presented “The DOCAM Project: Issues and Challenges.” Access the program and the abstracts and biographies of the speakers.

International Forum: Documentation and Contemporary Languages, Documentation Centre – PAN, Palazzo delle Arti Napoli, Italy, 14-15 December 2006.

• Alain Depocas presented the DOCAM project during the “Art, Science and Technology” session of the forum.

Access the Events listing ( a repertory of events relating DOCAM’s themes)